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House Beautiful’s report on the 2026 Brooklyn Heights Designer Showhouse highlights 11 interior details, including a preserved moss ceiling, a walnut-paneled listening room and custom ceramic backsplash tiles. The rooms draw on local history, vintage references and collaborations with artists and makers. The source does not provide the showhouse’s dates, address or visitor information.
House Beautiful has published a report on 11 details in the 2026 Brooklyn Heights Designer Showhouse, featuring work by interior designers and architects across bedrooms, a listening room, an office, an elevator landing and a kitchen. The selections show how the contributors used materials, historical references and collaborations with artists and craftspeople to give each space a distinct character.
Among the featured rooms, ADROIT Architecture & Interior Design turned a guest bedroom into a wellness space with a sculpted canopy of preserved moss, made with horticulturalist Kelly Costello of Mosswoman. A collage by artist Rick Midler covers the sliding doors that open to a television. In another guest room, Brian Cash used an Americana patchwork pattern as part of a design shaped by the history of the neighborhood and the former Hotel St. George.
Emily Eng used Schumacher’s Ecru union cloth to make the walls of a guest bedroom appear to rise into a tented ceiling, with an antique bronze pendant from the 1920s at its peak. Other rooms draw on pattern and texture: Isy Runsewe combined fantastical wallpaper with vintage and antique furniture in a child’s bedroom, while Max Aboody wrapped a listening room in warm walnut and added heavy velvet drapery.
The report also highlights an appliquéd evil eye by artist Ali MacDonald above elevator doors in Rachael Rosenblum’s space, and an embroidered floral drapery panel in Sarah Fleischer’s office that conceals a closet converted into a banquette. In the kitchen designed by Jess and Jonathan Nahon of Sugarhouse Design & Architecture, 36 handmade ceramic tiles by Riwal Manufaktura translate the dining room’s floral wallpaper motif into a backsplash.
Local History Shapes the Rooms
The showhouse’s designs connect interior choices to Brooklyn Heights history and to the way people use rooms. Cash’s guest bedroom looks to the former Hotel St. George, which the report describes as a prominent center of gay life in the borough from the 1920s through the 1970s. Hannah Hemmerly’s drawing room, meanwhile, recalls the blue-painted drawing rooms found in some Brooklyn brownstones during the Victorian era, which the report says served as a sign of wealth and status.
Other featured details place emphasis on function as well as appearance. A concealed closet becomes seating in Fleischer’s office, and the moss canopy helps define a bedroom as a wellness retreat. The custom kitchen tiles carry a motif between adjoining rooms. Together, the examples show how the designers use furnishings, finishes and commissioned work to build links between a home’s spaces and its surroundings.
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Eleven Details From the Tour
The source article presents a selection of 11 design details, rather than a complete account of every room or designer at the showhouse. Its descriptions range from architectural treatments, such as a tented ceiling and rich wood paneling, to decorative features including quilted patterns, skirted sinks and a sculptural chandelier. The source material supplied for this article does not include further details about the continuous wall design or the chandelier.
Several of the reported interiors draw on outside collaborations. These include the moss installation with Kelly Costello, the collage by Rick Midler, the evil-eye appliqué by Ali MacDonald and the bespoke backsplash tiles made by Riwal Manufaktura. The report also names Schumacher fabrics and Artistic Tile’s Melange Marble countertops among the materials used.
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Event Details Remain Unspecified
The source material does not state when or where visitors can see the showhouse, whether it is open to the public, or how long it will run. It also provides limited information about some of the 11 items named in the headline: the supplied text gives no description of the continuous wall design or the sculptural chandelier beyond identifying them as featured details. The report does not provide costs, construction timelines or further comment from the designers.
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Visitor Information to Watch
Readers interested in visiting will need to check the showhouse’s own announcements or the full House Beautiful report for dates, access details and ticket information. No next event milestone or follow-up announcement is specified in the source material. Further reporting could clarify the exhibition schedule and provide descriptions of the continuous wall design and chandelier.
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Key Questions
What is the 2026 Brooklyn Heights Designer Showhouse report about?
House Beautiful’s report spotlights 11 design details from the showhouse, across rooms including guest bedrooms, a listening room, an office and a kitchen.
Which designers and studios are mentioned?
The source names ADROIT Architecture & Interior Design, Brian Cash, Emily Eng, Hannah Hemmerly of HH Studio, Isy Runsewe of Isy’s Interiors, Max Aboody, Rachael Rosenblum, Sarah Fleischer of SRF Interiors, and Jess and Jonathan Nahon of Sugarhouse Design & Architecture.
What is distinctive about the kitchen backsplash?
It consists of 36 custom ceramic tiles by Riwal Manufaktura, which reinterpret the floral wallpaper motif in the adjoining dining room.
How does the report connect the designs to Brooklyn Heights?
It describes rooms that reference local history, including Cash’s guest bedroom inspired by the former Hotel St. George and Hemmerly’s drawing room, which recalls blue-painted rooms in Victorian-era Brooklyn brownstones.
When can the public visit the showhouse?
The supplied source material does not specify public opening dates, location details, admission or tickets.
Source: rss
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