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Studio HA transformed a 300-square-meter former garage in Paris into a family home organized around a large shared living area. Designers Hugo Vince and Adèle Nourry drew on 1960s and 1970s Space Age style, Art Deco swimming pools and 1960s Japanese love hotels while reshaping the layout to make the tall, open space feel welcoming.
Studio HA has converted a 300-square-meter former garage in Paris into a family home, combining references to 1960s and 1970s Space Age design, Art Deco swimming pools and 1960s Japanese love hotels. The project’s central challenge, according to designers Hugo Vince and Adèle Nourry, was making the unusually large, open interior feel warm and usable without losing its generous scale.
The home is arranged around a shared living space that connects the kitchen, dining area and living room. Rather than divide the large interior into many enclosed rooms, the designers used changes in ceiling height, lighting, wallpaper and internal partitions to create distinct zones. Adèle Nourry described the intended route through the home as moving from the kitchen into the dining area and then toward the living room.
A new curved mezzanine above the kitchen was built to add a home office, which the original layout lacked. The addition also changed how residents reach the bedrooms, creating a landing that overlooks the main living area. The source says the former garage has ceilings as high as 6.5 meters; a colored carpet on the mezzanine was selected to add softness to the tall interior.
The kitchen is finished in hand-patinated silver leaf, with curved forms and an oversized presence. Nourry said the team worked with decorative painter Antonin Lamoot on the finish, aiming for a less uniform surface that would reference the building’s industrial past. Other elements include curved bespoke cabinetry, chrome details and a mosaic influenced by Art Deco swimming pools. The main bedroom suite takes inspiration from Japanese love hotels of the 1960s, Vince said.
How the Design Makes Space Feel Intimate
The project offers a specific example of how designers can adapt an industrial shell for daily family life without simply concealing its scale or history. Its approach relies on spatial planning and visual cues as much as decoration: the mezzanine lowers the perceived ceiling above the kitchen, while lighting and wallpaper help the main room feel more enclosed.
The combination of historical references also shows how a home can draw from distinct design traditions without reproducing one period literally. Vince said the studio sought to bring influences together rather than recreate a particular era. In practice, the references are assigned to different features, from the swimming-pool-inspired mosaic to the bedroom suite, while shared materials and shapes connect the rooms.
For readers interested in residential design, the conversion highlights the trade-off involved in large open-plan spaces: they can preserve a sense of volume, but may feel impersonal if they lack defined areas. Studio HA’s solution keeps the central room open while using curves, layered lighting and partitions to give it a more domestic scale.
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From Garage Volume to Family Layout
According to Livingetc’s report, the project began with a 300-square-meter garage whose original industrial character and expansive volume were retained as design considerations. The clients already owned some Space Age furniture, which Vince said gave the studio a starting point and aligned with its own design sensibility.
The designers combined that material with other references, including mid-century influences and a 1970s-inspired color palette. They describe the result as a mix of styles intended to create different atmospheres while maintaining a common thread. The main structural change described in the report is the newly designed mezzanine; the article does not provide a construction timeline or details about the building’s condition before the conversion.
“The volume of the former garage was extraordinary, but we needed to ensure that nobody felt lost within it. And above all, we wanted to create a warm family home.”
— Hugo Vince, Studio HA
Project Details Not Provided
Livingetc’s report does not state when the conversion was completed, who owns the home, or whether the project involved changes beyond those described. It also gives no budget, planning or permitting details, or information about the garage’s prior use and condition. The design references and descriptions of the home’s atmosphere are attributed to Studio HA; the source does not provide independent assessments of how the finished space performs for the family.
No Further Project Milestones Listed
The source report presents the completed design but does not announce a forthcoming phase, opening date or additional work. It is not clear whether Studio HA plans to publish further project details or whether the homeowners intend to share more about living in the space. For now, the next available information would depend on a follow-up from the studio, the owners or the publication.
Key Questions
Who designed the former garage conversion?
Studio HA designed the Paris home. The report names Hugo Vince and Adèle Nourry as the designers.
What inspired the interiors?
The designers cited 1960s and 1970s Space Age style, Art Deco swimming pools and 1960s Japanese love hotels, alongside mid-century influences and a 1970s-inspired color palette.
What was the main layout change?
Studio HA added a curved mezzanine above the kitchen for a home office and redesigned circulation to the bedrooms. The mezzanine also creates a landing overlooking the living area.
How did the designers make the open space feel warmer?
They used the mezzanine to lower the perceived scale above the kitchen, along with wallpaper, mid-height lighting, curved furnishings and a colored carpet. The goal, according to the designers, was to keep the volume while making the home feel welcoming.
When was the home completed?
The Livingetc report does not give a completion date. It describes the conversion but does not provide a project timeline.
Source: rss
