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Livingetc reports that preserved flowers set in resin are appearing across a range of interiors, from a Paris herbal infusion house to collectible furniture and lighting. Designers describe the material as a way to hold flowers in place and give them lasting emotional or historical meaning; how widespread the trend is remains unmeasured.
Preserved flowers set in resin are appearing in a range of recent interiors and design projects, according to a Livingetc report that identifies renewed interest in the material. Examples include a floral resin bar counter at Apoticari’s La Tisanerie in Paris and resin furniture and lighting by contemporary designers, connecting the decorative technique with hospitality spaces and collectible design.
At La Tisanerie, described by Livingetc as Paris’s first dedicated herbal infusion house, the resin counter incorporates flowers and supports the venue’s botanical identity. The business, founded by Elsa Snakers, opened in the Haut-Marais in September, according to the report. The article also points to resin furniture and lighting as examples of the material’s wider presence in current design projects.
Examples named include the Gelo side tables, made by Paraforma for Monologue London, and work by Dutch designer Sabine Marcelis and Austrian designer Laurids Gallée. Livingetc cites MAY agency founder Romain Casella’s observations of resin being used in tables, consoles and lighting. These examples document activity among selected designers and venues; the article does not provide sales figures or industry-wide data establishing how common the material has become.
Polish botanical artist and designer Marcin Rusak is also taking a resin work, Flora Herbarium Clear Amber 152, to Salon Art + Design in New York, scheduled for November 4–8 at the Park Avenue Armory. Rusak’s work places flowers in resin as preserved botanical material, while the article frames the pieces as both functional objects and potential records of how people viewed nature and beauty.
Why Designers Are Preserving Flowers
The renewed attention matters because floral resin turns a perishable material into a durable feature of furniture, lighting and commercial interiors. In a venue such as La Tisanerie, the counter is more than a surface: its embedded flowers reinforce the space’s focus on herbs and botanical rituals. For designers and businesses, the material can connect an object’s appearance to a place’s identity.
Casella suggests that the appeal also has an emotional dimension. He links resin’s popularity to nostalgia and to the idea of freezing a moment in time. That is his interpretation, rather than a measured explanation of consumer demand. The examples in the report show how designers are using resin to create objects that invite reflection on memory, nature and permanence, but they do not establish how broadly customers share that response.
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A Revival With Earlier Roots
Livingetc places floral epoxy furniture within a longer design history, saying the genre originated in the 1940s and returned in the 1980s. The current interest described in the article is therefore a revival of an established technique, not a new invention. The report also associates the renewed attention with wider interest in amber-colored interiors, though it supplies no market data measuring either trend.
The article’s examples span hospitality, furniture and art rather than a single product category. It mentions resin installations spotted during Frieze Week and names projects from several designers and design platforms. Its “everywhere” framing reflects the writer’s observations and selected examples; the underlying report does not establish a count of projects, a sales increase or a particular cause for the renewed interest.
““Like the mosquito in amber in Jurassic Park, we’re deliberately choosing to freeze time — and there’s something reassuring in that in such unstable times: it doesn’t move; it’s there, still.””
— Romain Casella, founder and director of MAY
How Broad Is the Resin Revival?
The report does not establish how widespread floral resin is across the design industry or whether its visibility reflects increased sales, a concentrated set of projects, or the writer’s heightened attention to the material. It provides no market figures, consumer research or comparison with earlier periods. Casella’s comments and Rusak’s reflections are attributed opinions, not evidence of a shared industry consensus.
The article also does not detail the production methods, durability or maintenance needs of the individual pieces, or explain whether the flowers are sourced sustainably. Those questions may matter to buyers and venues considering resin objects, but the supplied source does not answer them.
Upcoming Shows and Design Projects
The next dated event identified in the report is Salon Art + Design, scheduled for November 4–8 at New York’s Park Avenue Armory, where Rusak is due to present Flora Herbarium Clear Amber 152. Livingetc also lists Sabine Marcelis’s exhibition, “Sabine Marcelis: Light and Color,” at Zurich’s Museum für Gestaltung from October 30, 2026, through April 4, 2027. These dates provide upcoming opportunities to see related design work; the article does not announce further projects or predict how long the renewed attention will last.
Further evidence of the trend’s reach would depend on additional project openings, designer announcements or market reporting. For now, the available report documents a set of recent examples and explains how their makers and observers understand the material, while leaving the scale and commercial staying power of the interest unresolved.
Key Questions
What is floral resin?
Floral resin is resin used to encase or display flowers within a designed object, such as a furniture piece, counter or light. The Livingetc report discusses examples made with epoxy resin but does not give technical specifications for every project.
Where is floral resin appearing in the report?
The examples include Apoticari’s La Tisanerie in Paris, Paraforma and Monologue London’s Gelo side tables, and work by designers including Sabine Marcelis, Laurids Gallée and Marcin Rusak.
Is floral resin a new design technique?
No. Livingetc says floral epoxy furniture originated in the 1940s and was revived in the 1980s. The current development described is renewed attention to the technique.
Does the report show that floral resin is popular across the whole industry?
No. It identifies selected projects and observations but supplies no sales data, market figures or industry-wide measure of the trend’s reach.
What design events are mentioned?
Marcin Rusak is scheduled to present a resin work at Salon Art + Design in New York from November 4–8. The report also lists Sabine Marcelis’s Zurich museum exhibition from October 30, 2026, to April 4, 2027.
Source: livingetc.com
