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Livingetc profiled Berlin-based designer Kasia Kronberger’s renovation of a 1970s chalet-style home south of Berlin. The design draws on the owners’ time in Milan, the home’s original character, the autumn garden and the family’s differing needs rather than following a single interior trend.
Livingetc has featured a 1970s chalet-style home south of Berlin redesigned by Berlin-based interior designer Kasia Kronberger, whose Studio Bosko project uses the owners’ memories, the house’s existing character and their family routines as its main design references. The project offers a specific alternative to trend-led decorating: decisions such as warm timber, Italian vintage furniture and separate living spaces are tied to the people who live there.
The homeowners had spent time living in Milan, which Kronberger said had left a lasting impression on them. She brought that connection into the home with vintage Italian pieces and a terrazzo palladiana floor—a mosaic made from large, irregular pieces of natural stone—across part of the ground floor. The kitchen, previously fully enclosed, was opened up, while the layout retained smaller zones intended to feel intimate rather than turning the entire floor into one undifferentiated space.
The house itself also shaped the renovation. The partially timber-clad, gabled building was dated but had features the clients wanted to preserve. Kronberger kept its 1970s character and used warmer woods, including oak panelling and cabinetry and floor-to-ceiling hallway cupboards in a tone she described as almost mahogany. The autumn colors of the garden, which the owners admired when they bought the property, informed a palette of oranges, browns and yellows.
The design also reflects different needs within the household. Kronberger said the sociable parents and their 14-year-old daughter needed distinct ways to use the home, so the project included living rooms on separate floors. The daughter could have a place to retreat while her parents hosted guests. Other choices were more specific to individual rooms: lighter oak replaced orangey pine in one paneled room, and cooler beige tones were used where the family wanted a calmer atmosphere.
A Renovation Built Around Household History
The project illustrates how a home renovation can turn biography into practical design choices. The owners’ time in Milan is reflected in materials and furniture; their attachment to the garden informs the palette; and the original building’s 1970s details remain visible instead of being erased in favor of a uniform contemporary look. These are examples from one home, not evidence of a wider shift in the interiors market.
That approach also connects aesthetics to daily life. Opening the kitchen changed how the ground floor functions, but keeping distinct zones addressed the risk that open-plan spaces can feel exposed or hard to use for quiet moments. Separate living areas respond to the family’s different social preferences. The result, as described in the report, treats design as both visual composition and a way to support how residents spend time together and apart.
Kronberger’s comments may interest readers planning a renovation because they frame personal references as a tool for making choices, rather than as decoration added after a style has been selected. Her project does not establish that this approach is better for every home, and the article gives no budget or performance data. It does show how a designer can connect a client’s past and present to decisions about materials, color and room use.
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How the Home Shaped the Palette
Kronberger told Livingetc she had studied trend forecasting during her earlier career in luxury retail. She said she is wary of adopting visible aesthetic trends, while recognizing that broader cultural shifts influence design. In the article, she describes her aim as making clients feel reflected in the homes she creates, and says she asks what matters to them, which places they feel connected to and what they carry from the past.
The Berlin-area property provided more than a neutral backdrop for that process. Its gabled form and timber cladding suggested retaining some period character, while its condition called for changes. In one room, the designer replaced dated orange-toned pine panelling with lighter oak to keep the sense of craft without making the space feel enclosed. The garden added a seasonal reference, and the family’s Milan connection supplied another source of materials and objects.
Material choices were also used to add variation across the rooms. Kronberger said she combines different wood tones, which clients may worry will clash, because she believes they can add depth. The report describes marble, textured glass and limewash among the finishes used in rooms intended to feel calm but not plain. These details sit alongside, rather than replace, the broader references to the home’s age and the residents’ experiences.
“Personal stories, translated into homes, become a meaningful anchor for aesthetic choices.”
— Kasia Kronberger, Berlin-based interior designer and founder of Studio Bosko, speaking to Livingetc
Project Details Not Included in the Report
The Livingetc feature does not state when the renovation took place, how long it lasted, or what it cost. It also does not provide the homeowners’ names or their account of the finished project; the published explanations of their preferences and the design decisions are presented through Kronberger.
The source describes selected materials, rooms and layout choices, but does not provide measurements, a full renovation scope or information about structural work. It is not clear from the feature which elements were original and which were newly installed beyond the specific changes it mentions. The report presents this as one designer’s project, not as a study of how common the approach is or whether it affects property value.
No Further Project Milestone Listed
The source is a home-design feature rather than an announcement of work still under way. It gives no timetable for additional renovation phases, future projects at the property or a forthcoming decision by the homeowners. The next development is not specified; the article documents the home’s design choices and Kronberger’s reasoning for them.
Readers seeking further details would need additional information from Studio Bosko, the homeowners or Livingetc. The published feature also directs readers to the magazine’s other home tours and newsletter, but does not identify a follow-up report about this property.
Key Questions
Who designed the Berlin-area home?
Kasia Kronberger, a Berlin-based interior designer who founded Studio Bosko, designed the home featured by Livingetc.
What inspired the home’s design?
The design drew on the owners’ time in Milan, their appreciation of the garden’s autumn colors, the home’s 1970s character and the family’s different needs for social and private space.
What changes were made to the home?
The kitchen was opened up, while smaller zones were kept distinct. The project also introduced vintage Italian pieces and a terrazzo palladiana floor, retained selected period features and used lighter oak in a room that had dated orange-toned pine panelling.
Why are there living rooms on separate floors?
Kronberger said the arrangement gives the sociable parents room to host guests while allowing their 14-year-old daughter to withdraw and relax separately.
How much did the renovation cost?
The feature does not give a renovation budget, project duration or detailed scope of work.
Source: livingetc.com
